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not contestable for SAI
Sheetmusic to print
131 sheet music found
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Thank You For The Music
Choral SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.853873 By ABBA. By Benny A…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.853873 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 9 pages. Larry Wright #4726115. Published by Larry Wright (A0.853873). A WOMAN'S 6-part (choruses only) a cappella contemporary barbershop arrangement of the well-known ABBA uptempo'd hit song; not contestable for SAI.Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available excellent, part-predominant vocal Learning Trax <www.larrywrightmusic.com>.
$15.00
14 €
#
Choral SSAA
#
ABBA
#
not contestable for SAI
#
Thank You For The Music
#
Larry Wright
#
SheetMusicPlus
This One's For The Girls
Choral SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.853791 By Martina McBride.…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.853791 By Martina McBride. By Aimee Mayo, Chris Lindsey, and Hillary Lindsey. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 11 pages. Larry Wright #4622953. Published by Larry Wright (A0.853791). A WOMEN'S 4-part, a cappella, barbershop arrangement of the Martina McBride uptempo hit song; not contestable for SAI.Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available excellent part-predominant vocal Learning Trax <www.larrywrightmusic.com>. If you've FIRST purchased my learning trax from my website store... and the SMP per-copy price is anything other than $1.89, DON'T PAY IT!!! Email me <larry@larrywrightmusic.com>. NOTE: SMP requires a minimum purchase of 10 copies for all choral selections. Sorry quartets!
$15.00
14 €
#
Choral SSAA
#
Martina McBride
#
not contestable for SAI
#
This One's For The Girls
#
Larry Wright
#
SheetMusicPlus
Here We Come A Wassailing
Guitar notes and tablatures
Guitar - Level 1 - Digital Download SKU: A0.1245940 Composed by Ronald Hazlehurst. …
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Guitar - Level 1 - Digital Download SKU: A0.1245940 Composed by Ronald Hazlehurst. Arranged by Danny Crocome. 19th Century,Advent,Christian,Christmas,Contest,Festival. Guitar Tab. 1 pages. Danny Crocome Music #840771. Published by Danny Crocome Music (A0.1245940). A simple solo guitar arrangement of this timeless Christmas song.Suitable for beginner guitarists.Chords and chord diagrams provided for accompaniment purposes.
$4.99
4.66 €
#
Guitar notes and tablatures
#
Ronald Hazlehurst
#
Here We Come A Wassailing
#
Danny Crocome Music
#
SheetMusicPlus
I'm Having A Ball
Choral SSAA
Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1341771 Composed by…
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Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1341771 Composed by Johnny Young. Arranged by Larry Wright. A Cappella,Barbershop. 6 pages. Larry Wright #927311. Published by Larry Wright (A0.1341771). A brand NEW Women's 4-part, a cappella arrangement of this zippy uptune.... fun, fun, FUN!!! Not contestable for SAI, but YES for HI, BHS, and all others! Check out the short 30 second audio demo on SMP... or the 1 minute audio demo on my website store <www.larrywrightmusic.com>,... or purchase the $2 full-length audio demo on my website store <www.larrywrightmusic.com>IMPORTANT NOTE: by FIRST purchasing the COMBO of this song from my website store <www.larrywrightmusic.com> you'll not only be getting the excellent learning trax, but also be able to purchase the sheet music from the SMP website store for their lowest $1.89/$1.99 per-copy price,... NOT the currently posted much higher $14.25 per-copy price. PLUS, you'll also get to select a second COMBO of your choice from my website store for FREE!!!! NOTE: if the SMP per-copy price is anything more than $1.99, DON'T PAY IT!!! Email me <larry@larrywrightmusic.com> for assistance.Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available EXCELLENT, part-predominant, VOCAL LEARNING TRAX on my website store<www.larrywrightmusic.com>.
$15.00
14 €
#
Choral SSAA
#
Johnny Young
#
I'm Having A Ball
#
Larry Wright
#
SheetMusicPlus
The Greatest American Hero
Choral SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.853786 Composed by Leland …
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.853786 Composed by Leland Michael Postil and Stephen Geyer. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 6 pages. Larry Wright #4622807. Published by Larry Wright (A0.853786). A WOMEN'S 4-part, a cappella, barbershop arrangement of the uptempo hit song from the TV series show; not contestable for SAI.Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available excellent part-predominant, vocal Learning Trax <www.larrywrightmusic.com>. If you've FIRST purchased my learning trax fromk my website store,... and the per-copy price on the SMP website store is anything more than $1.89 per-copy, DON'T PAY IT!!! Email me <larry@larrywrightmusic.com>. NOTE: SMP requires a minimum purchase of 10 copies for all choral selections. Sorry quartets!
$15.00
14 €
#
Choral SSAA
#
Leland Michael Postil and Stephen Geyer
#
not contestable for SAI
#
The Greatest American Hero
#
Larry Wright
#
SheetMusicPlus
Unchained Melody
Choral SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.853793 By Barry Manilow. B…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.853793 By Barry Manilow. By Alex North. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 4 pages. Larry Wright #4624299. Published by Larry Wright (A0.853793). A WOMEN'S 4-part, a cappella, barbershop ballad arrangement of the Righteous Brothers hit song; not contestable for SAI.Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available excellent part-predominat vocal Learning Trax <www.larrywrightmusic.com>. If you've FIRST purchased my learning trax from my website store... and the SMP per-copy price is anything other than $1.89, DON'T PAY IT!!! Email me <larry@larrywrightmusic.com>. NOTE: SMP requires a minimum purchase of 10 copies for all choral selections. Sorry quartets!
$15.00
14 €
#
Choral SSAA
#
Barry Manilow
#
not contestable for SAI
#
Unchained Melody
#
Larry Wright
#
SheetMusicPlus
Tuxedo Junction
Choral SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.853825 Composed by Erskine…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.853825 Composed by Erskine Hawkins, Julian Dash, and William Johnson. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 7 pages. Larry Wright #4632095. Published by Larry Wright (A0.853825). A WOMEN'S 6-part (choruses only) with overlay harmonies barbershop arrangement of the Glenn Miller uptempo classic song; not contestable for SAI.Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available excellent part-predominant vocal Learning Trax <www.larrywrightmusic.com>. If you've FIRST purchased my vocal learning trax from my website store... and the per-copy price on the SMP website store is anything but $1.89, email me <larry@larrywrightmusic.com>. NOTE: SMP requires a minimum purchase of 10 copies for all choral selections; sorry quartets!
$15.00
14 €
#
Choral SSAA
#
Erskine Hawkins, Julian Dash, and William Johnson
#
not contestable for SAI
#
Tuxedo Junction
#
Larry Wright
#
SheetMusicPlus
The Boy From New York City
Choral SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.853699 By Ad Libs. By Geor…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.853699 By Ad Libs. By George Davis and John Taylor. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 10 pages. Larry Wright #4412135. Published by Larry Wright (A0.853699). A WOMEN'S 5-part (choruses only), a cappella barbershop arrangement of the Manhattan Transfer uptempo hit song; not contestable for SAI. Choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available excellent part-predominant vocal Learning Trax <www.larrywrightmusic.com>. If you've FIRST purchased the part-predominant vocal learning trax from my website store... and per-copy price of SMP's website store is anything more than $1.89, DON'T PAY IT!!! Email me <larry@larrywrightmusic.com> for assisance. NOTE: SMP requires a minimum purchase of 10 copies for all choral selections. Sorry quartets!
$15.00
14 €
#
Choral SSAA
#
Ad Libs
#
not contestable for SAI
#
The Boy From New York City
#
Larry Wright
#
SheetMusicPlus
Tuxedo Junction
Choral SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.853775 Composed by Erskine…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.853775 Composed by Erskine Hawkins, Julian Dash, and William Johnson. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 7 pages. Larry Wright #4607627. Published by Larry Wright (A0.853775). A WOMEN'S 4-part, a cappella, barbershop arrangement of the Glenn Miller uptempo hit song from the 40's; not contestable for SAI.Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available excellent part-predominant, vocal Learning Trax <www.larrywrightmusic.com>. If you've FIRST purchased my vocal learning trax from my website store... and the per-copy price on the SMP website store is anything more then $1.89, DON'T PAY IT!!! Email me <larry@larrywrightmusic.com>. NOTE: SMP requires a minimum purchase of 10 copies for all choral selections. Sorry quartets!
$15.00
14 €
#
Choral SSAA
#
Erskine Hawkins, Julian Dash, and William Johnson
#
not contestable for SAI
#
Tuxedo Junction
#
Larry Wright
#
SheetMusicPlus
On The South Side Of Chicago
Choral SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.853766 Composed by Phil Ze…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.853766 Composed by Phil Zeller. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 4 pages. Larry Wright #4605387. Published by Larry Wright (A0.853766). A WOMEN'S 4-part, a cappella, barbershop arrangement of a jazzy, uptempo pop song from the late 60's, originally recorded by Vic Damone; not contestable for SAI.Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available excellent part-predominant vocal Learning Trax <www.larrywrightmusic.com>. If you've FIRST purchased my learning trax on my website store... and the per-copy price on the SMP website store is anything more than $1.89, DON'T PAYIT!!! Email me <larry@larrywrightmusic.com>. NOTE: SMP requires a minimum purchase of 10 copies for all choral selections. Sorry quartets!
$15.00
14 €
#
Choral SSAA
#
Phil Zeller
#
not contestable for SAI
#
On The South Side Of Chicago
#
Larry Wright
#
SheetMusicPlus
Saint-Saëns: The Swan for Cello & Piano
Cello, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1314243 Composed by Camille Saint-…
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Cello,Piano - Level 3 - Digital Download SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Wedding. Score and part. 11 pages. Jmsgu3 #902984. Published by jmsgu3 (A0.1314243). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing. LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.75 €
#
Cello, Piano
#
Camille Saint-Saens
#
Saint-Saëns: The Swan for Cello & Piano
#
jmsgu3
#
SheetMusicPlus
Saint-Saens: The Swan for Viola and Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
32.62 €
#
Viola, Piano
#
Camille Saint-Saens
#
Saint-Saens: The Swan for Viola and Piano
#
jmsgu3
#
SheetMusicPlus
Saint-Saëns: The Swan for French Horn & Piano
French Horn and Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.1313124 Composed by Camille …
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French Horn,Piano - Level 3 - Digital Download SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 9 pages. Jmsgu3 #901955. Published by jmsgu3 (A0.1313124). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.75 €
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French Horn and Piano
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Camille Saint-Saens
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Saint-Saëns: The Swan for French Horn & Piano
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jmsgu3
#
SheetMusicPlus
Saint-Saëns: The Swan for Bass Clarinet & Piano
Bass Clarinet
Bass Clarinet,Instrumental Solo - Level 3 - Digital Download SKU: A0.1314265 Compos…
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Bass Clarinet,Instrumental Solo - Level 3 - Digital Download SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.75 €
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Bass Clarinet
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Camille Saint-Saens
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Saint-Saëns: The Swan for Bass Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Saint-Saëns: The Swan for Clarinet & Piano
Clarinet and Piano
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1314273 Composed by Cami…
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903015. Published by jmsgu3 (A0.1314273). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.75 €
#
Clarinet and Piano
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Camille Saint-Saens
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Saint-Saëns: The Swan for Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Saint-Saëns: The Swan for Flute & Piano
Flute and Piano
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1314255 Composed by Camill…
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #902996. Published by jmsgu3 (A0.1314255). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history. Criticism On the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.75 €
#
Flute and Piano
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Camille Saint-Saens
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Saint-Saëns: The Swan for Flute & Piano
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jmsgu3
#
SheetMusicPlus
Sister Act
Choral SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.853680 Composed by Alan Me…
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.853680 Composed by Alan Menken. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 7 pages. Larry Wright #4361867. Published by Larry Wright (A0.853680). A WOMEN'S 4-part, a cappella, barbershop, ballad arrangement of a pop song from the London Musical Sister Act; not contestable for SAI; can also be sung with the optional Backing Choir.Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available EXCELLENT part-predominant, vocal Learning Trax <www.larrywrightmusic.com>. If you've FIRST purchased my part-predominant, vocal learning trax from my website store... and the SMP per-copy price is anything more than $1.99, DON'T PAY IT!!! Email me <larry@larrywrightmusic.com> for assistance. NOTE: SMP requires a minimum purchase of 10 copies for all choral selections. Sorry quartets!
$15.00
14 €
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Choral SSAA
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Alan Menken
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not contestable for SAI
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Sister Act
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Larry Wright
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SheetMusicPlus
Sunshine, Lollipops And Rainbows
Choral SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.853806 Composed by Marvin …
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.853806 Composed by Marvin Hamlisch. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 4 pages. Larry Wright #4629847. Published by Larry Wright (A0.853806). A WOMEN'S 4-part, a cappella, barbershop arrangement of an uptempo'd, pop hit song from the late 60's; not contestable for SAI.Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available excellent part-predominant vocal Learning Trax <www.larrywrightmusic.com>. If you've FIRST purchased my vocal learning trax from my website store... and the SMP per-copy price is anything other than $1.89, DON'T PAY IT!!! Email me <larry@larrywrightmusic.com> for assistance. NOTE: SMP requires a minimum purchase of 10 copies for all choral selections. Sorry quartets!
$15.00
14 €
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Choral SSAA
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Marvin Hamlisch
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not contestable for SAI
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Sunshine, Lollipops And Rainbows
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Larry Wright
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SheetMusicPlus
Short People
Choral SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.853826 By Randy Newman. By…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.853826 By Randy Newman. By Randy Newman. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 6 pages. Larry Wright #4632075. Published by Larry Wright (A0.853826). A WOMEN'S 4-part, a cappella, barbershop arrangement of a fun, uptempo'd Randy Newman pop song; not contestable for SAI. Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available excellent part-predominant vocal Learning Trax <www.larrywrightmusic.com>. If you've FIRST purchased my learning trax from my website store <www.larrywrightmusic.com>.... and the posted per-copy price on the SMP website store is anything but $1.89, email me <larry@larrywrightmusic.com>. NOTE: Also, SMP requires a minimum purchase of 10 copies for all choral selections; sorry quartets!
$15.00
14 €
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Choral SSAA
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Randy Newman
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not contestable for SAI
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Short People
#
Larry Wright
#
SheetMusicPlus
Saint-Saëns: The Swan for Alto Sax & Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camil…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.75 €
#
Alto Saxophone and Piano
#
Camille Saint-Saens
#
Saint-Saëns: The Swan for Alto Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Saint-Saëns: The Swan for Soprano Sax & Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Ca…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.75 €
#
Soprano Saxophone and Piano
#
Camille Saint-Saens
#
Saint-Saëns: The Swan for Soprano Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Saint-Saëns: The Swan for Oboe & Piano
Oboe, Piano (duet)
Oboe,Piano - Level 3 - Digital Download SKU: A0.1314269 Composed by Camille Saint-S…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903011. Published by jmsgu3 (A0.1314269). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.75 €
#
Oboe, Piano (duet)
#
Camille Saint-Saens
#
Saint-Saëns: The Swan for Oboe & Piano
#
jmsgu3
#
SheetMusicPlus
Saint-Saens: The Swan for Violin and Piano
Violin and Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.1254029 Composed by Camille Saint…
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Piano,Violin - Level 3 - Digital Download SKU: A0.1254029 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 9 pages. Jmsgu3 #847642. Published by jmsgu3 (A0.1254029). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
32.62 €
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Violin and Piano
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Camille Saint-Saens
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Saint-Saens: The Swan for Violin and Piano
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jmsgu3
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SheetMusicPlus
Sentimental Journey
Choral SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.853776 Composed by Ben Hom…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.853776 Composed by Ben Homer, Bud Green, and Les Brown. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 4 pages. Larry Wright #4609063. Published by Larry Wright (A0.853776). A WOMEN'S 4-part, a cappella, barbershop arrangement of a medium uptempo'd popular song; not contestable for SAI.Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available excellent part-predominant, vocal Learning Trax <www.larrywrightmusic.com>. If you've FIRST purchased my vocal learning trax from my website store... and the per-copy price on the SMP website store is anything more than $1.89 per-copy, DON'T PAY IT!!! Email me <larry@larrywrightmusic.com>. NOTE: SMP requires a minimum purchase of 10 copies for all choral selections. Sorry quartets!
$15.00
14 €
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Choral SSAA
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Ben Homer, Bud Green, and Les Brown
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not contestable for SAI
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Sentimental Journey
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Larry Wright
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SheetMusicPlus
ABC
Choral SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.853774 By The Jackson 5. B…
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.853774 By The Jackson 5. By Alphonso Mizell, Berry Gordy, Deke Richards, and Frederick Perren. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 5 pages. Larry Wright #4605903. Published by Larry Wright (A0.853774). A WOMAN'S 4-part, a cappella, barbershop arrangement of the popular, uptempo hit song sung by the Jackson Five.; not contestable for SAI. PLEASE NOTE: This is NOT a complete arrangement of the song. For more info, email me <larry@larrywrightmusic.com>.
$1.99
1.86 €
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Choral SSAA
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The Jackson 5
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not contestable for SAI
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ABC
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Larry Wright
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SheetMusicPlus
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